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# Color management

## Overview

Color management in Wayland considers only displays. All pictures in Wayland are always display-referred, meaning that the pixel values are intended as-is for some specific display where they would produce the light emissions (stimuli) the picture’s author desired. Wayland does not support displaying “raw” camera or scanner images as they are not display-referred, nor are they even pictures without complex and subjective processing.

Stimuli — the picture itself — are only half of the picture reproduction. The other half is the environment where a display is viewed. A striking example is comparing a brightly lit office to a dark movie theater, the stimuli required to produce a good reading of the picture is greatly different. Therefore display-referred does not include only the display but the viewing environment as well.

Window systems have been very well capable of operating without any explicit consideration to color management. This is because there used to be the implicit assumption of the standard display, the sRGB display, which all computer monitors implemented, more or less. The viewing environment was and still is accounted by adjusting the display and/or the room to produce a workable experience. Pictures are authored on a computer system by drawing, painting and adjusting the picture until it looks right on the author’s monitor. This implicitly builds the standard display and environment assumption into the picture data. Deviations from the sRGB specification were minor enough that they often did not matter if not in a professional context like the printing industry. Displaying video material required some more attention to the details, because video and television standards differ enough from the sRGB display. What really made explicit color management a hard requirement for entertainment is the coming of wide color gamut (WCG) and high dynamic range (HDR) materials and displays.

The color management design in Wayland follows the general Wayland design principles: compositors tell clients what would be the optimal thing to do, clients tell the compositors what kind of pictures they are actually producing, and then compositors display those pictures the best they can.

## Protocol Interfaces

Color management interfaces in Wayland and divided into two protocols: color-management and color-representation. They are designed to work together, but they can also be used independently when the other one is not needed.

### Color-management

Color management protocol has two main purposes. First, it puts the responsibility of color management on the compositor. This means that clients do not necessarily need to care about color management at all, and can display just fine by using the traditional standard display assumption even when the actual display is wildly different. Clients can also choose to target some other assumed display and let the compositor handle it, or they can explicitly render for the actual display at hand. Second, when the window system has multiple different monitors, and a wl_surface happens to span more than one monitor, the compositor can display the surface content correctly on all spanned monitors simultaneously, as much as physically possible.

Color-management protocol concentrates on colorimetry: when you have a pixel with RGB values, what stimulus do those values represent. The stimulus definition follows the CIE 1931 two-degree observer model. Some core concepts here are color primaries, white point, transfer function, and dynamic range. The viewing environment is represented in an extremely simplified way as the reference white luminance. The connection between pixel RGB values and stimulus plus viewing environment is recorded in an image description object. Clients can create image description objects and tag `wl_surface`s with them, to indicate what kind of surface content there will be. Clients can also ask what image description the compositor would prefer to have on the `wl_surface`, and that preference can change over time, e.g. when the `wl_surface` is moved from one `wl_output` to another. Following the compositor’s preference may provide advantages in image quality and power consumption.

Image description objects can come in two flavors: parametric and ICC-based. The above was written with parametric image descriptions in mind, and they have first-class support for HDR. ICC-based image descriptions are wrapping an ICC profile and have no other data. ICC profiles are the standard tool for standard dynamic range (SDR) display color management. This means the capabilities between the two flavors differ, and one cannot always be replaced by the other. Compositor support for each flavor is optional.

### Color-representation

Color-representation protocol deals with (potentially sub-sampled) YCbCr-RGB conversion, quantization range, and the inclusion of alpha in the RGB color channels, a.k.a. pre-multiplication. There are several different specifications on how an YCbCr-like (including ICtCp) signal, with chroma sub-sampling or not, is created from a full-resolution RGB image. Again, a client can tag a `wl_surface` with color-representation metadata to tell the compositor what kind of pixel data will be displayed through the wl_surface.

The main purpose of color-representation is to correctly off-load the YCbCr-RGB conversion to the compositor, which can then opportunistically off-load it further to very power-efficient fixed-function circuitry in a display controller. This can significantly reduce power consumption when watching videos compared to using a GPU for the same, and on some embedded hardware platforms it is a hard requirement for processing high resolution video.